Archives For Pitchfork

Moments after sending in samples to be considered for a freelance reviewer for *1st kid on the block music blog* Pitchfork.com and hours after reading a New York Times article about the very same behemoth, I’m pondering music, blogs, music blogs, albums, reviews, and album reviews.  After going over many of the album evaluations that I’ve written for this very blog and also for SeizureChicken.com I’m starting to think that they (album reviews) aren’t all that necessary anymore.  Hear me out.

I remember that as a college student I would devour  album reviews; reading every word David Fricke, Chuck Klosterman, Rob Sheffield, and countless others wrote about their favorite and least favorite recordings.  I remember wishing and hoping that someday I would have the same luxuries that they had/have.  But then everything exploded.  The internet made thousands of reviews by thousands of pretentious writers available at the click of a mouse and it all suddenly became very trite.  It seemed that these kids (me included) wanted to take all of the obscure words that they’d learned in lit classes along with synonyms for those same fuckin’ words and cram them all into some discussion about Interpol’s Turn on the Bright Lights or some regurgitated rehash of Guided By Voices Bee Thousand. And people read them (me included) and then purchased one of the best albums of the 00’s or pulled out Robert Pollard’s finest work and listened in seclusion until somebody broke the door down and told them about Beck’s Sea Change and the double disc reissue of Slanted and Enchanted that had cleaned up sound but was still the best album in anyone’s collection.

Point is, back then words were free and so it seemed was the time to read ALL of them.  Maybe it was because I was a jobless student on a major college campus that had all the time in the world to read and reread what was written about an album from a band that might not be that obscure after the review.  Or maybe it was because only really quality bands made it through the bullshit and had intelligent schoolboys comparing Animal Collective to Infinite fucking Jest. Thing is, it all made sense.

But now it’s different.  No matter how good or bad an album is, the words are wasted .   In the end I believe that it only comes down to a summarizing paragraph, a different colored text deeming value like “best new”, or a number.  That’s really all people have time for.  I mean, really, after you give album that isn’t MIA’s latest a 4.4,Travis Morrison’s a 0.0, or a 3.3 to the latest record from a previously heroic rock band does anybody really have the time to read about an album you compare to refuse, whining babies, or an American Idol reject?  On the other side, who has time to read your entire wet dream about  a record  that gets a 9.3 while you gush and gizz in glittering prose all over the first paragraph?

Tired eyes have also become a chronic problem due to the massive amount of fringe bands getting onto someone’s radar.  It seems that somebody is always waiting in the wings to become a tastemaker.  It doesn’t matter how good a band really is if there is some niche audience to stroke or some other way that the said band can create a buzz, they will get press.  In these cases, the proof is in the pudding.  MP3s or streams of tracks are as important or more important than the pithy words that got you to click on the track in the first place.   And when it comes to who gets priority it’s a race for the prize or more so a privilege for the proven.

Now I’m sure that thousands of people have griped the same gripe; I’m just venting  because I have a space to do so and also because I miss writing and reading music criticism in full.  Something has changed and it works with the rapid paced culture that we live in and some/most thrive on but it helps us settle for mediocrity and worse, sometimes not even know that what we are being told is good is mediocre. Is it hard to evaluate when you have SO many things to place value on?

I’d be really interested to see what anyone else has to say.  Weigh in if you have an opinion. By the time you read this I’ll already be on hypem….

Advertisements

It’s been a long week and again, it’s only effin’ Wednesday.  Helping keep my eyes on the prize is a jam packed weekend with some great folks.  With two Strand of Oaks shows, a meeting with the Seizure Chicken family, and the promise of Pavement at the end of it all I’m sure to be one tired dude on Monday.  This week my spirits are also kept up by this: